Blackshaw Arts Hour – Episode 78

Matt and Ellie are divided by space and time, but still bringing you a show!

  • Matt reviews ‘Ladybird’
  • Strat and Alex do Art – Spoken Word on the theme of ‘Spring’
  • We got a deal on for ‘Frankie Fightwell’ – Earlybird tickets are at concession rate of £7.50 when booked by 1st April – book now!






Blackshaw Arts Hour – Episode 77

It’s a three-way in the studio this time, as Ellie, Matt and Andy talk arts, arts, arts…


Blackshaw Arts Hour – Episode 76

Ellie and Matt are reunited in the studio!

  • Film Review: The Cloverfield Paradox
  • Strat and Alex do Art: Stop Motion
  • Moth Man – interview with the writer, Nicole Locke
  • We announce the Moth Man cast
  • Theatre Reviews – The Birthday Party by Harold Pinter (The Harold Pinter Theatre til 14th April) & The Ferryman by Jez Butterworth (Gielgud til 19th May)
  • We announce the Final Adventure of Frankie Fightwell cast

Relevant Links – 

Blackshaw Arts Hour – Episode 75

Ellie’s riding solo this time, but don’t let that put you off!  Check out all this content…

Film reflection – Ellie chats a bit about ‘3 billboards outside Ebbing, Missouri’ and ‘The Greatest Showman’

Strat and Alex do Art – the genteel pastime of Potato Printing

Listen to the 2nd half of 18 shows to see in 2018 (off of that Timeout article)

We give you some Blackshaw news!  2 shows are upcoming…woo!

Blackshaw Arts Hour – Episode 74

Ellie, Matt and Vikki are in the studio for the first time in 2018!

  • Matt reviews Pitch Perfect 3
  • Strat & Alex do Art – Limericks (oh dear…) – tweet us your limerick and we’ll RT our faves
  • We talk about Timeout’s ’18 shows to see in 2018′
  • Wandsworth Arts Fringe 2018 is open to applicants until 2nd Feb – get involved!
  • Merely Roleplayers is half way through Season 2 – catch up with the hijinks.



Limericks by Strat

While listening to the show yesterday,
They reviewed Fifty Shades of Grey.
Matt didn’t find it a thriller.
He found it rather vanilla.
Which I didn’t expect him to say.

We thought we’d do something real smart,
A high-brow, intelligent part.
We wanted a section,
That was utter perfection.
But we got Strat and Alex do Art.

When Matt’s recording, sat on his tushy,
There’s something you can’t, but he can see.
If you hear him mutter,
Or stumble or stutter,
He’s distracted by Ellie’s pussy.


Limbericks by Alex

Two jokers attempting to art
Its hard to tell them apart
Laughing and playing
Don’t know what they’re saying,
I’m just glad I’ve not used the word fart
The Matt Boothman film review
Fancy a listen? Pull up a pew.
This man knows words in a way thats absurd
So much its hard to eschew
Working alongside a cat
Can be hard, there’s fairness in that.
This fluffy ball of fur does more than just purr,
She also eats loudly, the twat.
I’m not an old man from Kent
My nose isn’t terribly bent
These Stereotypes are silly and shite
And not at all what is meant
Tentatively approaching a task
Trying not to get caught up too fast
Being tactful and deft wanting emotional heft
But knowing its already been done in the past

Related Links

Pitch Perfect 3 –

Limerick –

18 shows in 2018 –

WAF 2018 –

Merely Roleplayers –

The Blackshaw Arts Hour – Episode 72

This show includes…

Our next episode will be a live recording of our 2017 Scare Slam at the London Horror Festival.  WoooOoooOoo!

The Blackshaw Arts Hour – Episode 71

Matt and Ellie are back in the studio!


  • Matt reviews DC’s latest offering, ‘Justice League’
  • Our sister podcast, Merely Roleplayers, series 1 is available to binge now!
  • We see and review ‘How to Win Against History’ at the Young Vic (trailer here), brainchild of Seiriol Davies (book/music/lyrics/genius man playing the lead role of 5th Marquess of Anglesey)
  • Strat and Alex do Art – photography in the field (the wilds of Tooting).  It’s a draw, so the public decides whose photo best encapsulates the spirit of Tooting Market (photos below!) – voting opens 6th Dec and closes 14th Dec at midnight
By Alex
By Strat

*Announcement Klaxon* Scare Slam 2017!

Blackshaw’s Scare Slam – at the London Horror Festival

Tickets on Sale now!


Monday 23rd October, 7pm

Old Red Lion, 418 St John Street, London, EC1V 4NJ


A night of chilling storytelling

Produced by Blackshaw Theatre Company

Lovers of scary stories, unite. Adding the fear factor to increasingly popular spoken word nights, storytellers from across the Horrorfest and beyond will share their worst (or should that be best?) nightmares at Blackshaw’s third annual Scare Slam.

Prepare yourself for a night of chilling tales from both sides of the line of veracity.

Come on down for a scare, or, if you’d like to contribute a story, see below…


Listen to previous Scare Slams here:


Tell your story!


5 mins max per piece

Notes can be used

These are solo readings of scary stories or anecdotes

You can only submit your own writing

We encourage writers to read their own work (but writers can work with an actor if they prefer)

No tech – we will provide the spooky atmosphere…

Send applications forms (download from to by Fri 6th October


Cailleach Óg – March 2017, The Pleasance Theatre

CAILLEACH ÓG by Gerry Moynihan

WORLD PREMIER: Industry Showcase

Blackshaw’s Showcase Award Winner 2016

Performed Thursday 2nd March, 7.45pm, The Pleasance Theatre

‘CAILLEACH ÓG…? She arrived on the back of a pig. What else do ye need tae know?’

Husband and wife DÁITHÍ and MÁIRE UÍ DHOMHNAILL own a pub in Bally Briocht – frequented by local barfly SNIBBER BANNON. A strange woman calling herself CAILLEACH ÓG arrives, and is soon making wild claims about being “The Mother of Mountains”, much to the amusement of DÁITHÍ, MÁIRE and SNIBBER.

DÁITHÍ subsequently finds his fate increasingly intertwined with that of CAILLEACH ÓG. And as his life very quickly unravels beyond his control, he desperately tries to hold on to his marriage as well as his sanity.


Gerry is from Omagh, Co. Tyrone, Northern Ireland. He graduated in 2012 with an MA in Screenwriting from The London College of Communication. His projects include a feature King Billy And The Popes; a TV spec script for a Detective series Bundle, a spec script for BBC TV Series ‘Doctors’ Teenage Kicks and a radio play entitled The Bread of Life. He has also published one short story, Phantom Limbs.

His first piece for theatre, a short play entitled Skiver, was staged at the Brockley Jack Theatre. His first full length play Continuity opened “Vibrant 2016” – The Finborough Theatre’s Annual Festival of New Writing and is currently being considered for a full production in the summer.

Cailleach Óg won The Blackshaw Theatre’s Showcase 2016 Award.

t: @GerryMoynihan w: http://


Marcus Bazley for his insightful script feedback. Matt Boothman, Vikki Weston and Ellie Pitkin for the support in making this production happen at all! The talented actors and crew whose combined efforts brought the script to life. To Ronnie Troughton for listening/arguing/supporting. And a very special thanks to my number one muse & critic who keeps me going; Claire Dongworth.



Victoria graduated with an MA in Acting from Mountview Academy of Theatre Arts and studied Drama at Exeter University. Recent theatre credits include ‘Jackie’ in Bad News (Briefs) by Shaun Kitchener (Waterloo East Theatre), ‘Gertrude’ in Hamlet (site specific), ‘Rivers’ in Richard III (Old Red Lion Theatre), ‘Stevie’ in Fitting Room by Tara Lepore (Eastern Angles, The Wolsley Theatre) and ‘Sarah Casey’ in The Tinker’s Wedding by J.Synge (London Irish Theatre).

Victoria first played Cailleach Óg as a rehearsed reading for Blackshaw Theatre at their New Writing night at the Hen & Chickens theatre.


NATHAN GORDON – Dáithí Ó Domhnaill

Nathan graduated in 2016 from the one-year acting course at Oxford School of Drama. Theatre credits include: ‘H’ in Flashes by Isley Lynn (Soho Theatre, 2016); ‘Lucio’ in Measure for Measure (North Wall Oxford, 2016); and ‘Ernest Beevers’ in Time and the Conways (OSD, 2016). Screen credits include: ‘Marc Vlessing’ in Foyle’s War (ITV, 2013) and ‘Duncan Stonehouse’ in Irish soap Fair City (RTÉ, 2008-10). Nathan very recently recorded The Secret by Deric Henderson as an audio book for RNIB Talking Books.


LIIS MIKK – Máire Uí Dhomhnaill

Liis trained with The National Youth Theatre. Her recent theatre credits include ‘Woman’ in The Ones with Urbn Theatr (2016), ‘Chorus’ in The Bacchae with Lazarus Theatre Company (2016), ‘Liz’ in Master of the Macabre with MOTM Productions (2015), and ‘Berta’ in Re:Tale with Written Foundations Theatre Company (2015).

Liis is currently seeking representation.



Stephen is a graduate of Drama Studio London. Credits include ‘Polonius’ in Hamlet (2012; directed by Jimmy Walters). For Mercurius Theatre (all directed by Jenny Eastop): ‘Chrysalde/Henry’ in School for Wives (2013); ‘Hoard’ in A Trick to Catch the Old One (2014); ‘Yellowhammer’ in A Chaste Maid in Cheapside (2015); ‘Everill/Sir Paul Eitherside’ in The Devil is an Ass (2015). For television: ‘Pete’ in Unbelievers (2015 TV pilot, directed by Matthew Colclough).

As an Irish actor, Stephen is particularly gratified to be involved in a new Irish play.


Marcus is Artistic Director of Cyphers Productions, as well as a freelance director who has worked across the UK and in France. He has previously worked for Blackshaw as Assistant Director on Alice in Wonderland by Richard Stratton (2015) and Staying Alive by Kat Roberts (2015). Directing credits include: Henry V by William Shakespeare (2014 & 2015), Le Journal d’un Fou by Nikoli Gogol (2015), Communicate by Jeremy Fletcher (2016), as well as his own adaptations of Great Expectations by Charles Dickens (2015) and The Three Musketeers by Alexandre Dumas (2016).

ANDREW CRANE – Sound & Lighting Designer

Andrew is a graduate in Drama and Theatre Studies from Royal Holloway University (2012), and has worked as a sound designer and technician for Blackshaw Theatre since 2012. Sound Design credits include Black Shuck by Duncan Hands (2016—Old Red Lion), Staying Alive by Kat Roberts (2015—The Pleasance), Alice in Wonderland by Richard Stratton (2014 & 2015—Battersea Library), Character by Florence Vincent (2014—Tristan Bates), and Fetch by Duncan Gates (2014—The Selkirk).

For Blackshaw’s Arts Hour on Wandsworth Radio, Andrew has edited several radio plays including Audience with the Ghost Finder by M. J. Starling (2015), and a serialised adaptation of Great Expectations by Marcus Bazley.


ADAM PENNY—Assistant Producer

VIKKI WESTON—Script Consultant

MATT BOOTHMAN—Script Consultant