Blackshaw Arts Hour – Episode 91

  • Matt reviews Ant Man & The Wasp/The Spy Who Dumped Me
  • The Scare Slam – it’s a-comin’! Apply to take part. Tickets now on sale.
  • We play a taste of what you can expect from the Scare Slam – a piece from last year’s show, The Fatberg of Whitechapel by Reece Connolly
  • We chat about Blackshaw’s mates, Non Zero One and their brilliant project, Put Her Forward
  • It’s that time again – Victoria Sadler’s round up of female playwrights at off-west end London theatres this year (Spoiler – representation is still a bit rubbish, boo!)
  • The penultimate episode of Black Shuck – Art and Martha heard a seal, and then a pair of glowing, spooky, eyes appeared – but turned out to be the lights of the boat – drop off secured, Martha was left alone…until the dog turned up…so where is Art? And is that dog, just a normal dog?!

Relevant Links

Ant Man & The Wasp – https://www.imdb.com/title/tt5095030/?ref_=nv_sr_1 

The Spy Who Dumped Me – https://www.imdb.com/title/tt6663582/?ref_=nv_sr_1 

The Scare Slam Tickets – http://bit.ly/ScareSlam2018

The Scare Slam, apply to take part – http://blackshawonline.com/whats-on/ 

Non Zero One: Put Her Forward – http://putherforward.com/ and http://www.nonzeroone.com/projects/put-her-forward/ 

Victoria Sadler:  2018 Theatre in Review: Challenges for Female Playwrights Continues –  http://www.victoriasadler.com/2018-theatre-in-review-challenges-for-female-playwrights-continues/ 

 

Blackshaw Arts Hour – Episode 90

Ellie & Matt are on their holidays, so here’s a quick fix of the Blackshaw Arts Hour to keep you going –

Black Shuck Episode 3 – we’ve heard the tale of legendary Black Shuck, and poor old lopsided Rob’s Dad – we basically had the bejesus scared out of us – so, what was that terrifying noise?!

Talking of terrifying, we can now reveal that Blackshaw’s Scare Slam will be back at the London Horror Festival in October! Details here.

 

Black Shuck at the London Horror Festival: A Review

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“Played by Alexander Pankhurst, it’s an enjoyable portrayal of this geeky character who is able to precisely name different birds by their call alone. He provides a wonderful foil to Martha played by Rachel Nott, a bolshie and dominating woman. The two of them are a comically incompetent pair.”

 

“There is a particularly well thought out lighting and sound design by Andrew Crane who helps to transport us to the night-time Norfolk Coast and give the play some eerie atmospheric effects. The aeroplane landing lights is particularly effective. The one simple piece of set, a groyne, also works wonders.”

 

Read the full review here.

Black Shuck: Reviews

great dynamic…definitely worth seeing, a funny & wonderfully unique story”

London Theatre Reviewer

 

“engaging and dynamic…boundless energy and spirit…a little bit silly, a little bit scary and thoroughly worth a watch!

Theatre Bubble

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“a brilliantly written short piece…Rachel Nott is amazing…Art is played wonderfully by Alexander Pankhurst…A very enjoyable hour with a very entertaining script and very talented actors. Well worth a watch.”

London Theatre 1

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“The chemistry of Nott and Pankhurst…make this thoroughly entertaining to watch…a taut play that manages to walk the tightrope of genres but playing to the strength of all

Female Arts

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Black Shuck: Production Photos

Photos by Richard Stratton.

Black Shuck: Making the Set

Our delightful Designer for Black Shuck, Michelle Bristow, gives us a glimpse into the world of set building – you can come and see the set in situ, 11-19 May 2016 – book your tickets now!

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We started out by mitre-ing (real word?) some of the timber so that we could make the structure for the bracing. It was hard!

The next part of the support structure, drilling the main upright piece to the bottom support piece.

Bracing pieces completed!

Laying out the pieces ready to have the holes drilled in to mark where the screws go, in order to be flat packed into my car and assembled at the venue.

Marking out the holes and numbering them, so its easy to match up the pieces at the get in.

Jacobean woodstain was the perfect colour, heres the groyne after two coats – 

The fun (and messy) part – painting! All ready for assembly next week.