The Blackshaw Arts Hour – Episode 67

In exciting time news, the Blackshaw Arts Hour will be moving slots on Wandsworth Radio – we’ll now be airing on Tuesdays at midnight (i.e. the midnight between Tues and Weds!).  We’re hoping to welcome new listeners amongst shift workers and insomniacs.

 

As always though, the show is available as a podcast to listen to, anytime you damn well please!

 

In this episode, Ellie and Matt are in the studio, and the following is jam-packed, and headed to your ear holes:

  • Review of Darren Aronofsky’s film, ‘Mother!’
  • The concluding convo about ‘Angels in America’ at the National (with Sinead!)
  • Excitement builds for this year’s Scare Slam, and we take a look back at last year’s terror extravaganza
  • Discussion of the current environment for female playwrights in London
  • Chat about other ladies in the theatre world (including the RSC’s upcoming all-female Director lineup, and the casting of a lady in the role of ‘Bobby’ in ‘Company’).

 

Come on in, the podcasting water is lovely…

Relevant Links

Victoria Sadler Article

2017 in Review: The Lot for Female Playwrights Worsens

2016 Scare Slam

RSC Directors

Casting a woman as ‘Bobby’ in ‘Company’

London Horror Festival 2017

Scare Slam 2017 Tickets

The Blackshaw Arts Hour – Episode 66

Ellie and Matt are joined by Vikki and Sinead – we talk about…

– Girl from the North Country at the Old Vic

– Sinead’s Edinburgh Fringe 2017 experience

– Logan Lucky, The Dark Tower, and Atomic Blonde film reviews

– Sinead’s theatre challenge

– Our upcoming Scare Slam http://bit.ly/ScareSlamLHF

Relevant Links:

https://www.oldvictheatre.com/whats-on/2017/girl-north-country-3

http://www.foilarmsandhog.ie/

https://www.thepretendmen.com/shows/

The Blackshaw Arts Hour – Episode 64

This episode features Matt, Ellie, Alex and Strat.

Matt reviews ‘The Beguiled’ – spoiler, he says he has ‘almost forgotten it already’.

We chat to some lovely people about their Edinburgh Fringe shows:

Dave Bibby – Nobody Puts Bibby in the Corner

Richard Stott – Wretched

Anna Marsland –  Ballistic

Christopher Woodley – The Soft Subject (a Love Story)

Strat & Alex do Art: The cut-up technique (or découpé in French) is a literary technique in which a text is cut up and rearranged to create a new text. The concept can be traced to at least the Dadaists of the 1920s.  We gave them a copy of the Evening Standard each and let them run riot with the scissors (NB: no actual running with scissors occurred – that’s not allowed).

Relevant Links:

https://tickets.edfringe.com/whats-on/soft-subject-a-love-story 

https://tickets.edfringe.com/whats-on/wretched

https://tickets.edfringe.com/whats-on/nobody-puts-bibby-in-the-corner

https://tickets.edfringe.com/whats-on/ballistic

The Blackshaw Arts Hour – Episode 63

On the show this time – Ellie, Matt, Alex and Jess.  A review of ‘Baby Driver’, and a light touch review of ‘Spiderman: Homecoming’, and a quick round of EdFringe Roulette.

 

Jess talks to us about the show she’s in at the fringe, ‘Dates’, and we hear from Karen Bartholomew, whose show ‘God’s Waiting Room’ is playing at the King’s Head as part of Festival 47.

Relevant Links:

 

https://tickets.edfringe.com/whats-on/dates

http://www.kingsheadtheatre.com/copy-of-elsewhere 

https://kingsheadtheatre.ticketsolve.com/shows/873574852 

The Blackshaw Arts Hour – Episode 62

Ellie, Matt, Alex, Strat and Helen are in the studio!

– Strat & Alex do an art; a ‘drabble’ (100 word short story)

– Matt reviews ‘Nerve’ off of UK Netflix

– We chat about the latest core funding awarded by the Arts Council England

– Another game of EdFringe Roulette!

Links mentioned in the show:

Arts Council Funding

Lyn Gardner’s Guardian Article RE: ACE funding.

‘The Big Four’ Telegraph Article.

BBC R2 Stories Competition.

Gary by Alexander Pankhurst

“Gary, Gary, Gary, Gary!”
“I’m sorry what?”
“Birthday?!”
“Oh yeah!”
Opening the blinds Gary brought his large mechanical arms up in mock surprise.
“Close the blinds you idiot you’ll spoil it!”
“Sorry! I wasn’t aware that our guest of honour was going to be here so soon.”
“You know full well that he’s upstairs!”
“Fine,” Gary drawled, “If it’s so important to your little plan I’ll close them.” Snapping them shut he flounced off, only pausing to smirk and waggle his servo operated fingers precisely in Bens direction.
“Dick!” Ben spat. It was a lame retort and he knew it.

100 word story by Richard Stratton

“It’s behind your hand”, Gary drawled, “the handkerchiefs were up your sleeve, the rabbit is under the table.”

Dandini, Woking’s greatest birthday party magician, didn’t like Gary. Gary was an arrogant, know-it-all bully who had spent the last year terrorising his year 7 classmates. Dandini had chosen well.

“Now I need require a volunteer. How about the birthday boy?”. Gary swaggered over, sneering.

“In to my trunk of disappearance. Excellent, mind your head while I close the lid. Abrakadabra!”

10 minutes later Dandini was leaving the party.

Gary’s dad was talking to another child’s parent.

“Gary? I’m sorry? What birthday?”

The Blackshaw Arts Hour – Episode 61

Ellie and Matt are back on the proverbial horse, bringing you an ‘unplugged’ episode packed with film reviews (Wonder Woman, Guardians of the Galaxy Vol 2, FF8, Snatched, A Dog’s Purpose), chat about the latest TV sensation, ‘The Handmaid’s Tale’, Matt’s thoughts on the first part of ‘Angels in America’ at the National, the return of Edinburgh Fringe Roulette, and some interruptions from Ellie’s cat.

 

 

The Blackshaw Arts Hour – Episode 56

For the first show back into 2017 Iasha is joined by Matt and a very new voice to the show, Sinead Burniston, a fellow Holloway graduate and theatre lover.

Matt reviews the Lego Batman film, we hark back to some old conversations from 2016 including a run down of Harry Potter and The Cursed Child, how bad Suicide Squad was and Iasha talks musicals and lack of tap with Half a Sixpence.

Next show Matt’s reviewing Fifty Shades Darker, and if there is a show not to miss this year, it’s that one. So much awkward.

 

 

The Blackshaw Arts Hour – Episode 53

This week on the show, Iasha is joined by Vikki and Matt, and Strat and Alex are back once again to tackle an art, this week we’re doing sculpture!

Matt reviews Arrival and can hardly contain his excitement for what seems to be a high contender for one of Matt’s picks of the year.

Vikki tells us about a very immersive theatre experience she and Alex participated in last Friday and we also hear a live recording of a Scare Slam story from our Scare Slam at the Horse and Stables last year.

Below is the photographic evidence of the sculpting that took place during the live recording of this podcast…keep reading to find out the winner and the artist whose work would make it onto the fourth plinth (if this were a real contest and not just us making things up for the sake of radio…)

Alex halves the block of clay, pure joy.

art-1

Strat gets in close to achieve optimum art.

art-4

Alex gives us “Giving Thanks”. Not enough to win this time.

art-5

And the winner, deserving of a spot on the fourth plinth, Strat’s “Trump Slug”

art2

Well done guys, another successful ‘art”

art-6

 

 

 

The Blackshaw Arts Hour – Episode 52

This week on the show Iasha, Matt and Ellie are joined by Strat and Alex, doing their very first ‘Art’ on the new segment ‘Strat and Alex Do Art’.

Matt reviews Dr. Strange and maintains his professionalism as he is drawn by our two ‘artists’.Ellie talks to us about something new coming to Cineworld in Wandsworth which is pioneering 4DX cinema experiences and we heard from Owen Collins reciting some of his poetry at a recent Blackshaw new writing night.
  
Alex and Strat get into position to begin drawing Matt’s portrait for the hour recording
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                     Strat tries to copy Alex’s art/looks on longingly at his ability to art.
img_3342Iasha looks happy despite the clowns looming in the background and the adequate art taking place
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Strat is hesitant to show his art to the class
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After much anticipation the two portraits are revealed to the enjoyment of Ellie and possibly to the horror of Matt. Some fine work produced – Can you tell who’s portraits is whose?
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The likeness is uncanny.
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