The Blackshaw Arts Hour – Episode 56

For the first show back into 2017 Iasha is joined by Matt and a very new voice to the show, Sinead Burniston, a fellow Holloway graduate and theatre lover.

Matt reviews the Lego Batman film, we hark back to some old conversations from 2016 including a run down of Harry Potter and The Cursed Child, how bad Suicide Squad was and Iasha talks musicals and lack of tap with Half a Sixpence.

Next show Matt’s reviewing Fifty Shades Darker, and if there is a show not to miss this year, it’s that one. So much awkward.

 

 

Casting Open: CAILLEACH ÓG

We’re looking for a stellar cast for this exciting new play, to be performed as a one night only, industry showcase on 2nd March at the Pleasance Theatre, Islington (London).

Click here to apply!

Deadline for applications: Thurs 9th Feb

If you wish to take part please include your EMAIL ADDRESS and PHONE NUMBER in your application. Without this information we cannot consider your application.

Character Breakdown
DÁITHÍ
DÁITHÍ – Male. 30s/early 40s. Good Irish accent (Donegal).

DÁITHÍ owns and runs the pub in which the majority of the play is set, along with his wife, MÁIRE. Despite noticeable tensions in their marriage, he does love his wife. He is a realist and sceptic with a dry, mocking sense of humour. Presents a hard front to the world to cover up his vulnerability.

SNIBBER
Snibber – Male. 50s/60s. Good Irish accent (Donegal).

Snibber is the ever-present fixture in the local pub, never seen without a glass of whisky in his hand. He is somewhere between a best friend and adopted father to DÁITHÍ, the pub owner. Cheery and always on the look out for something to make him chuckle.

Winner of Blackshaw’s Showcase Award 2016, CAILLEACH ÓG by Gerry Moynihan, has been in development for a year.

Myth and reality clash when a strange woman arrives in a quiet pub in the west of Ireland on a stormy November night.

Husband and wife DÁITHÍ and MÁIRE UÍ DHOMHNAILL own a pub in Bally Briocht – frequented by local barfly SNIBBER BANNON. A strange woman calling herself CAILLEACH ÓG arrives, and is soon making wild claims about being “The Mother of Mountains” as well as being “all wise and all knowing” much to the amusement of DÁITHÍ, MÁIRE and SNIBBER.

DÁITHÍ subsequently finds his fate increasingly intertwined with that of CAILLEACH ÓG. And as his life very quickly unravels beyond his control, he desperately tries to hold on to his marriage as well as his sanity.

But who exactly is this strange woman called CAILLEACH ÓG? And what really brings her to Bally Briocth?

“CAILLEACH ÓG…? She arrived on the back of a pig. What else do ye need tae know?”

Auditions & Rehearsals will be in London locations on the following dates:

Sat 11th Feb 3-6pm (Auditions)

Sat 18th Feb, 11am-4pm

Sat 25th Feb, 11am-4pm

Sun 26th Feb, 11am-4pm

Mon 27th Feb, 6-9pm

Wed 1st March, 6-9pm

You will be needed all day/evening at the Pleasance Theatre on 2nd March for rehearsal and performance.

Whilst unpaid (expenses cannot be offered), this is a great showcase opportunity (we will be inviting lots of industry folk, and welcome your suggestions for industry comps (including casting agents). The aim of the show is for the piece to be picked up for further development/production – past winners have taken the cast with them when this happens! You will also be able to get production photos for your portfolio.

 

The Blackshaw Arts Hour – Episode 54

This week on the podcast, Iasha is joined by Matt, Ellie, Helen, Strat and Alex.

Matt reviews Fantastic Beasts and Where to Find Them (aka, that new Harry Potter film) and Start and Alex are doing an Art! This week they’re going to write sonnets, following the proper Shakespeare rules.

We hear a peice of new writing called SMS performed by Emily Jane Kerr and written by Marianne Powell and Helen reviews nd talks about the West End musical Half a Sixpence.

Throughtout the show Strat and Alex have been writing their sonnets, and then read out their finished work at the end of the show. Listen in to hear who is voted the winner!

 

 

Why enter our new writing competition?

2016’s Showcase Award Winner, Gerry Moynihan, tells us why you should go ahead and enter this year’s new writing competition.  You too, could be having your work developed and produced at a London theatre!

 

Deadline: 30th December.

Info on the scheme and how to submit, here.

 

“I submitted a short piece called “CAILLEACH ÓG” to the showcase largely on a whim. At the time I had no idea who the central character was; what the play was about or why I even wrote it! I only  had a vague idea that I wanted “to write something for the stage”. But winning the showcase award soon provided me with the incentive to grapple with the central enigmatic figure who seemed to have come from nowhere.

Blackshaw certainly created a momentum as they immediately set about planning a full production of the play for March 2017. This certainly focuses you and  is a valuable  yet risky leap of faith in the writer; just what most aspiring writers need in fact. But luckily Blackshaw are a writer-centred organisation who are friendly, supportive, approachable, enthusiastic and proactive in their endeavour to get things done.

If you win the showcase award your play will be produced. I recommend that you get in there and very quickly you will move from being “someone with an idea for a play” to being  a writer  with a deadline working towards a full production of your work. And what writer doesn’t want that?”

– Gerry Moynihan

The Blackshaw Arts Hour – Episode 53

This week on the show, Iasha is joined by Vikki and Matt, and Strat and Alex are back once again to tackle an art, this week we’re doing sculpture!

Matt reviews Arrival and can hardly contain his excitement for what seems to be a high contender for one of Matt’s picks of the year.

Vikki tells us about a very immersive theatre experience she and Alex participated in last Friday and we also hear a live recording of a Scare Slam story from our Scare Slam at the Horse and Stables last year.

Below is the photographic evidence of the sculpting that took place during the live recording of this podcast…keep reading to find out the winner and the artist whose work would make it onto the fourth plinth (if this were a real contest and not just us making things up for the sake of radio…)

Alex halves the block of clay, pure joy.

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Strat gets in close to achieve optimum art.

art-4

Alex gives us “Giving Thanks”. Not enough to win this time.

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And the winner, deserving of a spot on the fourth plinth, Strat’s “Trump Slug”

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Well done guys, another successful ‘art”

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Scare Slam 2016

A night of chilling storytelling.

A fabulously spooky evening at the Old Red Lion as part of the London Horror Festival.

17th October, 9.30pm.

 

Lucy’s Tea Party by Molly Beth Morossa

Chug Life by Dave Bibby

The Dewey Ones by Ben Whitehead

The Flat Upstairs by Paul Joseph

Skag n’ Bone Man by Stack 10 Theatre (written by Ed Hartland, performed by Stuart Vincent)

At The Edge by Ed Bailey

The Haunt by Stack 10 Theatre (written by Ed Hartland, performed by Charis King)

Compered by Ellie Pitkin

Photos by Charlotte Discombe, Helen Johnson and Ellie Pitkin

 

The Blackshaw Arts Hour – Episode 52

This week on the show Iasha, Matt and Ellie are joined by Strat and Alex, doing their very first ‘Art’ on the new segment ‘Strat and Alex Do Art’.

Matt reviews Dr. Strange and maintains his professionalism as he is drawn by our two ‘artists’.Ellie talks to us about something new coming to Cineworld in Wandsworth which is pioneering 4DX cinema experiences and we heard from Owen Collins reciting some of his poetry at a recent Blackshaw new writing night.
  
Alex and Strat get into position to begin drawing Matt’s portrait for the hour recording
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                     Strat tries to copy Alex’s art/looks on longingly at his ability to art.
img_3342Iasha looks happy despite the clowns looming in the background and the adequate art taking place
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Strat is hesitant to show his art to the class
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After much anticipation the two portraits are revealed to the enjoyment of Ellie and possibly to the horror of Matt. Some fine work produced – Can you tell who’s portraits is whose?
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The likeness is uncanny.
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Vacancy: External Communications Coordinator

Can you make Twitter sing? Are you organised, enthusiastic, and looking to take ownership of a company Facebook account? We’re looking for someone to look after our social media here at Blackshaw, and make their mark online. Take a look at our work on our website and see if we might be the company for you. There’s also this handy blog post that tells you why you should join us.

Please note: This role is voluntary, part-time and UNPAID. We’re very flexible and work around company members’ availability.

Let us know if you’re interested by sending a copy of your CV and a covering note to say why you think you’d like to work with us, and we’ll set up an informal meeting with you (email ellie@blackshawonline.com).

Responsibilities include:

– Helping to develop content for social media posting (alongside our existing team)
– Writing copy for, and programming, tweets and facebook posts
– Writing occasional blog posts for the Blackshaw blog
– Responding as Blackshaw, to tweets and comments/posts on Facebook
– Supporting the rest of the team with the development of Blackshaw’s voice and presence online

What you can get from working with us:

– Attend super fun events and theatrical productions
– Receive mentoring from professionals in the team to expand your expertise in your field of interest
– Shadow other Blackshaw team members to gain new skills, experience, and expertise in other areas of work
– Optional: Contribute as a co-host or content producer for the company’s fortnightly podcast, the Blackshaw Arts Hour

– Optional: Contribute to the wider press and marketing campaigns for Blackshaw’s productions

–  Get to meet lots of lovely theatre people

Emma, who’s leaving this post for a full time job in Cardiff, reflects on her time in the role:

Blackshaw Theatre are an inspiring theatre company and I had a great time working with them over the last year and a half. They are a very welcoming and talented group of people who really made me feel part of the company from day one.

I was employed as the Press and External Communications Officer. This was my first ever job in the Arts, it really gave me an insight into the Theatre Industry. The role involves programming the social media – being ‘the voice’ of Blackshaw and contacting Press during show times.

What I loved most about this job was how involved I was. Although I ran this role from home (often in my PJs with a cuppa), the communication within Blackshaw is amazing and I was able to keep up-to-date with everything going on, and program the social media accordingly.

I wish Blackshaw all the best and I can’t wait to see what great things they do next!

 

Please note: This role is voluntary, part-time and UNPAID. We’re very flexible and work around company members’ availability.

Let us know if you’re interested by sending a copy of your CV and a covering note to say why you think you’d like to work with us, and we’ll set up an informal meeting with you (email ellie@blackshawonline.com).